My Nintendo Vs. Club Nintendo

Nintendo clearly loves its fans. Of the three current heavy hitters in the console wars, Nintendo is the only one to offer a Loyalty Program at no charge, as a reward to longtime and frequent customers. Sony offers PlayStation Plus, which is a marvelous program, but at a monthly cost – same with the revamped Games with Gold for the Xbox 360/Xbox One.

Club Nintendo closed in 2015. It’s replacement – dubbed My Nintendo – has received a very lukewarm reception, and the recently unveiled way of using earned coins (reward currency) for Nintendo Switch games has further frustrated many fans. One thing is clear to me… while it was hip to complain about Club Nintendo down the stretch, it was head and shoulders above what is being offered now. Let’s take a look back at what made Club Nintendo so special.

Inception

Club Nintendo was launched seemingly everywhere else in the world before it finally hit North America in 2008. Registration for the new program was marred by frequent website crashes and whatnot – something Club Nintendo users would frequently encounter towards the end of the program, making it a full circle-like of website woes. Long, mysterious PIN codes began to show up in game cases for Wii and DS games, as well as hardware. In America, you would get “coins” for registering your products and taking a survey – in other regions, you could obtain “stars”, and you would save them and cash them in on exclusive merchandise.

Rewards R Us

At fiscal year end (which would be normally in late Spring), Club Nintendo would reward you with a bonus item, free of any deduction in coins/stars as a thank you for those who reached a certain level of buying throughout the year.

The Elite Awards usually amounted to a $10 eShop game, a $5 Virtual Console game or, in later years, a nice desk calendar with original artwork. But the Platinum Awards were where it was at! For those who earned 600 coins in the year (a user could get up to 50 coins per game purchased/survey filled out, and 100-150 for a console purchase) you would be at the exclusive level to get something really special.

The first rounds of Platinum Awards were amazing. Among the first was a wearable Mario hat, a Super Mario statue (which fetches a good amount on eBay today), a badge set, limited edition posters and more. Club Nintendo was great.

But the real meat of the program was free games and random merchandise that would be offered throughout the year. Free games would be offered for coins every month – although the available titles would be selected by Nintendo, and many would end up repeating as time went on. But the merchandise often would be exciting and one-of-a-kind. I personally scored a Super Mario Starman Messenger Bag, decks of Animal Crossing and Mario Party playing cards, Animal Crossing and Mario 3DS carrying pouches, the Super Smash Bros soundtrack 2-CD set, Pikmin tote bag, History of Mario T-Shirt, Wii Remote holder, Animal Crossing DS card game case, Super Smash Bros posters, Animal Crossing posters, etc. I cashed in a lot, and you could probably get the feeling that I like Animal Crossing. Other rare items were offered including a couple great Game and Watch  collection games for the Nintendo DS, unique styluses, and other items ranging from other T-Shirts to a much sought after Luigi’s Mansion figurine.

And, did I mention the shipping on everything offered down the line was also free?

Club Nintendo seemed like a dream.

Anger, Resentment, and Counterpoint

People can never seem to be happy, and the complaints held some merit. Users began to “grumble grumble” about filling out repetitive surveys after their purchases that Nintendo never seemed to take into consideration. People were frustrated with the forced selection of free games every month. And people began to write off Club Nintendo as a joke when rewards stopped being refreshed in a frequent manner.

Personally, I always found people complaining about a free program to be a little absurd. Club Nintendo was a completely free program. Some would say that we earn the coins to get the “free” stuff, so we are in a sense paying for it – but that is a backward way of thinking. I didn’t buy games to get Club Nintendo coins… I bought games to play the games. The Club Nintendo stuff was a bonus, which is what it was meant to be. People would say we paid in the time we spent answering surveys and stuff… but again, I can’t get mad about spending two minutes or less to earn coins that would get me free games and merchandise. I spent more time on the toilet each day and it is a far less rewarding experience! Sure I got tired of the sameness of their offerings, but I couldn’t complain – how could I whine about something that was free… and by free I mean didn’t cost me extra out of pocket money. Club Nintendo was always meant to be a rewards program bonus, and I never looked at it as anything more than that.

Decline and Closure

The decline in Club Nintendo became apparent in North America around 2012 when the same old rewards would be present and fresh offerings were few and far between. Tired old merchandise like Mario and bland Nintendogs postcards and cheap screensavers would always greet me when I would log in to check which free games were offered. Gone were the days when CN would break out something special every other month it seemed. The Platinum Rewards also took a hit, dwindling from
amazing Mario statues to a deck of Mario Party playing cards.

In its final two years, the year-end rewards went to all digital download games, with the Platinum members getting a choice of a selection of full-priced retail games (ranging from a value of $15-$50). When it happened in 2014, red flags were raised, and when the ending of Club Nintendo was announced in 2015, at least we were prepared for the end of the line.

To its credit, Club Nintendo of America trotted out some of its best merchandise at the end, including a Majora’s Mask messenger bag, sleek Duck Hunt posters, an 8-bit Mario T-Shirt, the aforementioned 2-disc Super Smash Bros Soundtrack CD and more. And they practically unloaded every digital game they ever offered in one lump selection sum. The final Elite/Platinum awards featured downloadable games up to a monstrous $50 in value. So, Club Nintendo went out with a bang – and offered up rewards that I wish the program did more often.

In Moratorium and the Future

Club Nintendo provided me with a lot of great collectible merchandise that I couldn’t get through any other means. Being a huge Animal Crossing fan, I cashed in on everything from decks of playing cards to posters to game card holders and more. I used my Starman messenger bag in New York when I visited the Nintendo World Store, like the proud Nintendo Nerd that I am. When I open up games now and they don’t come with a Club Nintendo code, I still weep a little inside. It was like losing a good friend who would pat me on the back and tell me thanks for supporting him. My Nintendo debuted in March of 2016, and it was met with a big resounding thud. It was clear from the beginning that the program was set to be heavy on rewarding people who bought digital games over physical ones, rewarding more coins for those purchases over boxed copies. Whereas Club Nintendo put an emphasis on digital content, My Nintendo does the same, but specializes in disappointing discounts on the retail eShop prices of games as opposed to actually offering free content as rewards – unless you count a parade of mobile and PC wallpapers as a thrill. Cashing in coins for dollars off of new Nintendo Switch (downloadable) games is good in theory until you realize that one coin equals one penny, so a stash of 700 gold coins from hundreds of dollars of purchases only nets you a paltry $7 off – and even then on a “select” title.

I mentioned that it was absurd to complain about a program that is free. It was true for Club Nintendo, and it is true for My Nintendo. But it just feels a little frustrating for a rewards program to start off so well in the form or the former, and end up so lackluster in the form of the latter.

One thing that My Nintendo has done, though, is make people realize just how good Club Nintendo was when it was around, proving that we really can take things for granted – until it’s gone.


Related: Swag Haul from Club Nintendo

Shrine-Hunting in Breath of the Wild


Scott never finished beating all the shrines in Legend of Zelda: Breath of the Wild. And there’s one in particular that’s giving him trouble. That’s where you come in! Help Scott finish out his quest to beat all the shrines!

“Exit the Premises” Kevin MacLeod (incompetech.com)
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What’s the ActRaiser Hype About?


We have no idea what this game is, or why it’s so popular, but we’re here to find out. Plus, you get to name your character in this title, and that’s always a hilarious affair.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Nintendo Should Just Buy _____


Nintendo’s got the money, they have the know-how… now all they need to do is cut the check. We’ve compiled a list of purchases the Big N needs to make in the gaming industry. Development studios. 3rd party characters. Indie franchises. It’s all here, asking to be scooped up by Nintendo!

“Exit the Premises” Kevin MacLeod (incompetech.com)
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Wii Facts You Didn’t Know!


November 19th, 2006. The day that Nintendo disrupted the gaming industry in a massive way. It’s safe to say that almost everyone watching this video owned a Wii at some point, but there were some hidden features and facts about this console that you never knew. UNTIL THIS VERY YOUTUBE VIDEO. Get ready to be mind-blown!

“Exit the Premises” Kevin MacLeod (incompetech.com)
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Switch BRICKED by 3rd Party Docks


Be careful! There are 3rd party docks out there that will break your Switch and destroy your save files forever. But how did this fiasco occur? And whose responsibility is it? Simeon and Scott are here to bring you the scoop.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Flinthook Review Indie Switch Rougelite

Flinthook is an indie roguelike game for Nintendo Switch. You play as the titular character, a space pirate, as you grapple-hook and blast your way through enemy ships, stealing treasure and taking down bosses along the way.

It’s a great premise, and the execution is pulled off nicely. The first thing you’ll notice about the game is its presentation; upon booting up Flinthook, you’re greeted with an epic chiptune soundtrack cranked up to maximum volume. This game has STYLE, and that persists through its bold, 32-bit (ish) graphics, funny characters, and fast-paced action. The main character is endearing to watch and exciting to play as.

To give you an idea of the gameplay, imagine a Super Mario Bros. game where you have to get from World 1-1 to 1-4 and beat the boss—all on a single life—before you can advance to the next world. But instead of playing as Mario, you’re steamrolling through levels as Samus, and your arsenal includes a plasma blaster, grappling hook, bombs, and more.

There are a couple more systems layered over the basic gameplay, and those are found between bounty runs. In the Black Market, you can spend the treasure you’ve collected on Perks, which are customizable upgrades for your character. You can boost your life, speed, critical hit chances, and much more.

There are also some other side modes included where you can learn more about the story inside the Lore section, play daily challenges, etc. The core game is really solid, so you’ll be compelled to quickly apply some perks and try the game again. Every run, even when you die, is beneficial and will better equip you for your next attempt.

I had a great time advancing through the many challenges of this game. Sadly, I have to point out that I’ve experienced two game-breaking bugs that crashed my Flinthook run and made me lose all progress. One happened after I had just barely managed to defeat a boss and escape with 10HP. The game shut down and I had to do the entire thing over again. I reached out to the developers and wasn’t told a patch was in the works, but hopefully they’ve tracked down the error by now and have it fixed.

The thing I appreciate most about Flinthook is that they took the roguelike genre and tweaked its formula, making it completely fair. This is a skill-based title where the character powers up at the same rate at which the player grows in knowledge and strategy.

I recommend Flinthook to anyone that’s on the fence about it. It blends some of the best elements of roguelikes, platformers, and side-scrolling shooters. It’s got an awesome sense of identity, from the menus to the color palette to the level design. Flinthook gets an 8 out of 10.

Do NOT Buy these Switch Indie Games


While a swath of indie developers are hurrying to get to the gold rush that is Nintendo Switch eShop, that unfortunately means that some stinkers are going to sneak there way in. Scott has been playing Energy Invasion, Energy Balance, and Alteric for review and sadly, he can’t recommend any of them. In this episode, we’ll give you a quick overview of these games and let you know what to watch out for.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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TBC 010: Three is the Unlikeliest Number

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Every day, a new video game is made. Every other day, a sequel is created. But far less often does a THIRD entry see the light of day. That’s the topic of this month’s podcast! Join our panel of four (not three) hosts as we discuss the threequels we’ve missed out on for Nintendo platforms. We also delve into the WHY: why does this happen? What makes the gaming industry such a risky place for a sequel to a sequel? Enjoy the discussion, and give us your thoughts as well!
Ready for more TBC Podcast? We are an ad-free show, and you can support us on Patreon: http://patreon.com/twobuttoncrew
Get Your Daily Nintendose of Fandom on our YouTube channel: https://www.youtube.com/TwoButtonCrew
“Exit the Premises” Kevin MacLeod (incompetech.com)
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The Absurd Nintendo Creators Program


The Nintendo Creators Program is a farce. YouTube content creators have to join this program or face some pretty severe results… the problem is, the program is horrible.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Should Zelda Go Futuristic?


The Legend of Zelda series has a storied past of—well—doing the same thing over and over again for years. It’s time to shake things up and take Link into the Future, and not keep him in the Past!

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Unboxing & Playing Axiom Verge (Switch)


Axiom Verge is a Metroidvania indie game, and the Multiverse Edition is a physical Switch cartridge with a bunch of goodies packed in. We go hands-on with the game as well as unbox the package to show you all the goodness they contain! This is a good one to add to your collection.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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The Toymaker King A Poem

The King of the Mountains ruled the land
His subjects thrived under his caring hand

The King of the Mountains was full of joy
He loved making toys for every girl and boy

The king’s reign was powerful and long
His years on the throne stretched on and on

The king’s universal acclaim was his boast
But there was one individual who loved him most

This boy grew up in the mountainous kingdom
Enjoying his childhood of toys and freedom

This boy grew up quickly, no longer a child
But his love for the king never became mild

His respect for the king grew as he grew old
And thankfulness kept him warm in the cold

No longer content to be thankful inside
The man would thank the king, he did decide

‘I’ll build a great large monument,’ said he
‘A monument that the whole kingdom will see’

The man dropped everything, his mind made
‘I’ll carve out time to carve every day’

That’s exactly what he did atop a mountain peak
Day after day and long week after long week

Hammer and chisel became his only friends
As he formed a statue out of scraps, odds and ends

It took all he had, his time and all his money
And every single day whether rainy or sunny

He sculpted the monument unto perfection
Only the best would convey his affection

Weeks turned to months with his back bent
Until not only months but three years were spent

The man took a step back and admired his work
‘Wait until the king sees this’ he thought with a smirk

A beautiful likeness of the king returned his smile
A wooden and carefully-crafted lifesize profile

‘I’ll cover up the statue, with a curtain conceal
Then gather up the town for the grand reveal’

The man turned to descend the mountain at last
But what he saw next caused his heart to beat fast

Every peak in the kingdom looked like his own
Monuments all over, paying tribute to the throne

He had been too consumed, too busy to see
That every townsperson had the same idea as he

‘I built a monument, come and see, come and see!
I finished my statue of the king,’ cried he

But his neighbors did not listen, hear or heed
They had monuments, and his they did not need

The man’s eyes fell and he began to plea
‘Just one visit to my statue’ he asked on bent knee

Alone he cried on his mountain, face wet with tears
This wasn’t the outcome he imagined in his worst fears

Hours later, the sun rose and with it a new day
The night had washed the man’s sorrows away

‘I’ll try a different approach, another tactic, something new
I’ll invite the king himself, surely he won’t deny me too’

So he entered the throneroom of the toymaker king
And asked ‘Do you have a moment? I made you something’

The old ruler laughed and shook his head
‘There are bigger monuments all around,’ he said

The man stared blankly and stood in silence
Then walked away like a dog without guidance

‘My hard work wasted, all for nothing, all for nought
My time and efforts were useless’ the man thought

‘To think—I loved that king—how foolish could I be?
There’s no love left for him in my heart, believe you me’

Perhaps the man should have slept on it or waited
But his feet were taking him to the likeness he now hated

‘I’ll unmake the monument he never deserved
Nothing in the king’s image should be preserved!’

He stormed up the mountain and threw his tools aside
Destroying the statue would be the next thing he tried

But something stayed his hand and stopped the blow
A simple thought came into his mind and began to grow

The statue would not stand for the king and his audacity
But it represented his own creativity, talent, and tenacity

Slowly, he realized ‘The king was never the key…’
‘It was the journey itself,’ he urged his heart to agree

‘I became what I wanted to be, what I admired
I became whom I loved, to whom I aspired’

He allowed the pride of his craftsmanship to return
A spark of happiness in his heart began to burn

No longer pleading, the man returned to bent knee
And inscribed below the statue, his initials, TBC

Octodad: Dadliest Catch Review (Switch)

Back when it first came out in 2014, Octodad: Dadliest Catch quickly became one of my favorite indie games of all time.  The goofy premise, inventive gameplay hook, and charming presentation were not only endearing, but felt reminiscent of the creative and experimental cult classics of the GameCube and its contemporaries.  Since its initial release on PC, the game has been ported to just about every system that can run it, including the Nintendo Switch.  So, does the game still measure up on the Switch?

The game follows the story of a clumsy, but well-meaning, father living suburbia.  Despite his best efforts, mayhem and mischief seem to follow him wherever he goes.  Between the strange circumstances and his unwillingness to open up about his mysterious past, his wife, Scarlet, can’t help but suspect something’s amiss.  His past catches up with him, however, as an old enemy attempts to expose his dark secret to his family and the world.

Wait, did I forget to mention the guy’s secretly an octopus in disguise?  Silly me!

Octodad: Dadliest Catch follows the eponymous Octodad as he tries to complete everyday chores without blowing his cover, which is hard for a man with no bones.  As to be expected with a game with such a ludicrous premise, the story is humorous, and sometimes even heartwarming.  The real appeal of the game’s humor, however, is the physics; watching Octodad stumble through the game’s levels, knocking down everything in his path, is sure to bring a smile to anyone fond of slapstick.

The game’s core mechanic is its deliberately awkward controls.  This may sound unappealing at first, but the controls are awkward in a way that feels comfortable, if that makes any sense.  Players control Octodad by manipulating his limbs individually.  This extra layer of abstraction can make even simple tasks like walking not only challenging but amusing as well.  The odd controls do mean this game can get frustrating at points, but not nearly as often as you’d think.

The game’s main campaign is on the short side, with even a leisurely play-through only lasting a few hours.  Fortunately, the game comes with two bonus chapters, which, despite being referred to as “shorts”, are some of the longest levels in the game.  Factor in the three hidden neckties in each level—which are often deviously hard to find—and this game has plenty of replay value.

Unfortunately, the Switch version of this game doesn’t come with any extra bells and whistles.  There’s no support for motion control, which feels like a missed opportunity given the nature of the game.  Instead, the game is played using the analog sticks to position Octodad’s arms and legs.  This is entirely a matter of opinion, but I prefer Octodad with a keyboard and mouse.  The different control schemes both offer a very different feel to the game, with the controller favoring large sweeping movements and the mouse being better at executing small, precise motions.

My biggest issue with this game, however, is the graphics.  While it’s understandable that a few sacrifices would have to be made given the limitations of the Switch’s hardware, the way they cut corners can be downright distracting.  Shadows appear ludicrously pixelated, especially when viewed up close.  It’s so bad at times it looks like the game is censoring parts of the screen.  Other issues are a lack of certain visual effects, such as reflections on mirrors or the absence of rain in one level.  Furthermore, the number of objects and N.P.C.s per level has been reduced, leaving levels overall feeling a bit barren.

Lastly, I should note that this version of the game has crashed on me, but it seems to have been an isolated occurrence.

In the end, Octodad: Dadliest Catch is a great game brimming with charm, and I very much enjoyed having the opportunity to play through it again.  That said, the Switch port isn’t the best version out there due to a lack of control options and scaled-down graphics.  If the Switch is the only system you have that can play it, or if portability is a priority, then it’s definitely still worth getting.  Otherwise, I’d recommend you get it on Steam.

The Man, the Myth, the Mr. N64Josh


N64Josh of Nintendo fandom fame is joining us for this episode! This man is a prolific content creator and collector of Nintendo Switch games. It’s our honor to have him on the show, and we know you’ll become a fan as well!

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Nintendo Quietly Updating Mario Odyssey?


Maybe you are still working through Super Mario Odyssey’s 999 moons! Perhaps you’ve managed to 100% the game… or have you? Who knows! When Nintendo can silently post new Hint Art online without fanfare, all bets are off!

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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Racing to the Finish in Mario Kart 8 Deluxe


You’ve seen us play Battle Mode against each other, but you haven’t witnessed a good old race to the death! Simeon and Scott are taking to the racetrack and trying to prove who’s the boss, and who is who’s father.

“Exit the Premises” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
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